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By News Staff | October 28th 2009 12:00 AM | 1 comment | Print | E-mail | Track Comments
The performative and improvisatory aspects of music compares favorably with the temporal, polyphonic aspects of scholarly research,  says University of Illinois professor of education Liora Bresler.

Understanding that could improve both research and education, she says.   Bresler, who studied musicology and was a pianist before becoming an education professor, said that knowing there was an audience to perform for "really intensifies the relationship between the music and the performer." This, she said, is analogous to how a teacher should think of a lecture or a researcher a presentation at a conference.

While research has a more significant solitary component than teaching, the intellectual retreat of research is preparation for the more social aspects of scholarship – similar to a jazz musician who practices licks in private so the music is heard as effortless and spontaneous on stage.

"A musician would approach a piece of music by looking for meaning, and then how they would interpret it and perform it," she said. "All throughout that process, they pay much more attention and are much more focused and organized, because they know they have an audience to perform for."

Similarly, when a researcher prepares to delve into a subject or a teacher reviews notes for a lecture, Bresler said the whole process of making meaning is intensified.

Teachers can think of a lesson "as if it's a musical form – there's harmony, rhythm, tension, orchestration, higher- and lower-intensity dynamics.   When you teach, you have a lesson plan, but you're not bound to follow it. You play, follow up, improvise and adapt, as the situation dictates. It's intellectual engagement, and you want to be engaging. So having a real, live audience makes a difference."

Bresler said that the commitment to a third-party audience helps the teacher "see, perceive and make sense of what they're trying to communicate on a very different level."

"Research and teaching are very similar, but researchers have the luxury of taking the time to really think and say, 'What does it all mean?' " Bresler said. "Teachers have to act in real-time, in the moment, and have to make a lot of decisions on-the-fly. What's common is a sense of ownership, caring about the subject, and then being able to organize and synthesize it in ways that make sense to them and their audience.

"In qualitative research, thinking about a project is a solitary activity.   Going to places, interviewing people, presenting research at a conference are all highly social activities, somewhat like a performance. Data analysis and writing up the actual research are both solitary activities, but they are informed by the same two-way communication between author and audience that informs music."

To train better scholars and educators, Bresler said people need to be trained how "to see better, to listen better, and to make better connections."

"Our different sensibilities help us become better teachers and researchers in the sense of making meaning and communicating to others."


Comments

Interesting comparison between making music and doing qualitative research. However, I think you can't really check the validity of making music? As qualitative researchers, its not only performing solitary activity, but also to gain acceptance of your work among your 'scientific' peers. In music, its up to the audience whether they like the music or not.

Jasper Lim
Merlien Institute
http://www.merlien.org

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